tag:blogger.com,1999:blog-36845316178673795312024-02-19T03:51:54.238-08:00Filippo BertaUnknownnoreply@blogger.comBlogger3125tag:blogger.com,1999:blog-3684531617867379531.post-89234034144371026412021-07-31T10:32:00.003-07:002021-07-31T10:37:19.873-07:00<p><b><span style="font-family: arial;">Filippo Berta</span></b></p><p><b><span style="font-family: arial;">Biography</span></b></p><span style="font-family: arial;">Filippo Berta was born in Treviglio in 1977 (Italy).</span><div><span style="font-family: arial;">He is represented by Ida Pisani’s Prometeogallery (Milan – Lucca).</span><div><span style="font-family: arial;"><br />Filippo Berta’s artworks and artistic process highlight the social tensions provoked by the relationships between individuals and their relative societies. The, often conflictual and problematic, boundaries that define this dialectic condition are the subjects of interrogation within his works. His attention to these social disharmonies is translated into art pieces characterized by the exaltation of small everyday gestures, presented to demask deformities, tensions, and oppositions. His works are mainly collective performances, synthesized into a single iconographic image as well as in brief but essential videos. </span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">In 2019 he won the Italian Council V Edition - Italian Ministry of Culture.</span></div><div><span style="font-family: arial;">In 2015 he won the Foundation MIA of Bergamo Prize; in 2014 the Maretti Prize, La Habana (Cuba) and he was a finalist in the Talent Prize of Rome. In 2008 he was the winner of the International Prize of Performance, Civic Gallery of Trento. He has exhibited at the MADRE Museum of Naples, MSU-Museum of Contemporary Art of Zagreb, Museion of Bozen, MART – Civic Gallery of Trento, Jonkopings Lans Museum, Staedtischegalerie of Bremen, State Museum of Contemporary Art of Thessaloniki, Museum of Pori, Victoria Art Center of Bucharest, Center for Cultural Decontamination, CZKD, Belgrade, Matadero Center for Contemporary Creation in Madrid, MAO – Slovenian museum of Architecture and Design. He has participated at the Biennale of Thessaloniki (2013; 2017), Biennale of Curitiba (2017), Biennale of Prague (20011), and the Biennale of Moscow – Young Art (2012). He has taken part in residencies for artists, including: the Ratti Foundation of Como and the Spinola Banna Foundation of Poirino. He has participated in festivals such as: Sarajevo International Festival (2014, 30th edition), International Konst Film (2013, Sweden), Corpus 3 (2012, Naples), Romaeuropa Festival (2012, Rome), Tulca-After the fall (2011, Galway, IR), European Performance Art Festival (2011, Warsaw, PL).</span></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3684531617867379531.post-7168077090961709322021-07-31T10:29:00.003-07:002021-07-31T10:35:32.916-07:00<p class="p1" style="background-color: white; color: #1a1a1a; font-family: Arial; font-size: 36px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b><br /></b></p><p class="p1" style="background-color: white; color: #1a1a1a; font-family: Arial; font-size: 36px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>ONE BY ONE</b></p><p class="p2" style="background-color: white; color: #1a1a1a; font-family: Arial; font-size: 20px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>Filippo Berta</b></p><p class="p3" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>Winner of the Italian Council (V edition, 2019) promoted by the Directorate-General for Contemporary Creativity of the Ministry of Culture<span class="Apple-converted-space"> </span></b></p><p class="p3" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>Scientific Direction: Nomas Foundation and Sapienza University of Rome<span class="Apple-converted-space"> </span></b></p><p class="p3" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>In collaboration with: Tools For Culture</b></p><p class="p3" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b>Public Collection: GAMeC Gallery of Modern and Contemporary Art of Bergamo <span class="Apple-converted-space"> </span></b></p><p class="p3" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: center;"><b><span class="Apple-converted-space">Curators and producer of the project: Giorgia Calò and Francesca Ceccherini</span></b></p><p class="p6" style="background-color: white; color: #1a1a1a; font-family: Arial; font-size: 20px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; min-height: 23px; text-align: center;"><b></b></p><p class="p10" style="font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: justify;">The work consists of a three-channel video installation (or more channels, depending on the characteristics of the exhibition space), in which people have been shot while they are counting with the index every single thorn of the dense fences built along the state borders. This action is completed with the voice of the performers, who they spell out distinctly the numerical series by their own language. The projection of the videos continues in an infinite loop, in which the individual voices blend, becoming a global chorus, as if it were a lay prayer that envelops the viewer, who is at the center of the installation. The interactivity of the installation is revealed when the viewer, moving closer to one of the projections, can distinguish the voice of the filmed person from the other voices. People who live in border areas were involved in the project, but they belonging to different generations, because the same gesture takes on different meaning based on the peculiarities of the person who does this act. “One by One” starts from the concrete action of touching the thorns of the border walls, which reveal themselves with a monumental and intimidating arrogance, but with the purpose of making us think on the infinite forms of invisible borders rooted in our being, which fuels tensions inside the society. The impossibility of reaching the end of the count offers the image of a dense network, enveloping and harnessing, of ideological frontiers that fossilize the intellectual evolution of the human being in a prehistoric phase.<br /><br />The implementation of the project began in 2015 and ended in 2021. The borders of the following states were reached: Slovenia, Croatia, Hungary, Serbia, North Macedonia, Greece, Turkey, Bulgaria, Mexico, United States, North Korea, South Korea.<br /><br /></p><p class="p12" style="background-color: white; font-family: Arial; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: justify;"><b>The project ONE BY ONE has been realized thanks to the cooperation and collaboration of hundreds of people residing in the travelled countries that have believed in and shared the project’s vision. A special thanks goes to the institutions, associations, foundations, collectives, cultural operators, as well as the residents and <i>performers</i>, without which the entire production would not have been possible.<span class="Apple-converted-space"> </span></b></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3684531617867379531.post-23682990390680779142017-06-23T07:17:00.001-07:002018-08-29T04:45:32.626-07:00<div style="text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Filippo Berta</span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Artist and Professor at the Modena Photography Foundation, Italy</span></span><br />
<span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Artista e Docente presso la Fondazione Fotografia di Modena</span> </span></span> </span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Studio: Via Gustavo Modena 1, 20129, Milano</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Mail: <a href="mailto:filippo.berta@gmail.com" target="_blank"><span class="Apple-style-span" style="color: blue;">filippo.berta@gmail.com</span></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">To download the portfolio (file pdf) click here</span>:<span class="Apple-style-span" style="color: #e69138;"> </span><a href="https://issuu.com/filippoberta/docs/berta_portfolio_may_2018" target="_blank"><span class="Apple-style-span" style="color: blue;">Download Portfolio (file pdf)</span></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">To watch selected videos click here: </span><a href="http://vimeo.com/filippoberta/videos" style="font-family: arial, helvetica, sans-serif;" target="_blank"><span class="Apple-style-span" style="color: blue;">http://vimeo.com/filippoberta/videos</span></a></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Skype: <span class="Apple-style-span" style="color: blue;">filippo_berta</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><i></i></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;">FILIPPO BERTA, <i>IN</i><span style="font-family: "arial" , "helvetica" , sans-serif;"><i> OUR IMAGE AND</i><span style="font-family: "arial" , "helvetica" , sans-serif;"><i> LIKENESS</i><span style="font-family: "arial" , "helvetica" , sans-serif;">, 2018,</span></span></span><i><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></i><span style="font-family: "arial" , "helvetica" , sans-serif;">Chap. 2</span></span></b></span></span></span></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">To watch the video</span></span>: </span></b><b><a href="https://vimeo.com/283921239" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">click here</span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Per vedere il video</span></span></b></span><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: white;">: </span><span class="Apple-style-span" style="background-color: white; color: blue;"><b style="color: black;"><a href="https://vimeo.com/283921239" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">cliccare qui</span></a></b> </span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span> </span></b></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXAcUlPlLsuRgD07a1BtfxYzW0Hcy6cO0DN8dNkmYK0NwRK5S7KpSqcOYqFPqRPYOBsIHuQu6KUajLhsPk0yG3V-D27H7wFQGGr-RwJpzozlUIi2xG2Ph-A0EGSnYb2pRL01-1mG-4bg4/s1600/Berta_Recontres_03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="1175" height="602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXAcUlPlLsuRgD07a1BtfxYzW0Hcy6cO0DN8dNkmYK0NwRK5S7KpSqcOYqFPqRPYOBsIHuQu6KUajLhsPk0yG3V-D27H7wFQGGr-RwJpzozlUIi2xG2Ph-A0EGSnYb2pRL01-1mG-4bg4/s640/Berta_Recontres_03.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">An old man is playing with a rosary, making it turn on the index finger. This obstinate game put in relationship the human being and all rules symbolized by the idol, which keep the individual in an standardizing and reassuring condition, but always in conflict with the human impulses. This work is the second chapter of a trilogy proposed as a reflection about the obstinate desire of the society to have an reassuring icon of a idol, where the reality find the "right dimension", but in the same time it have inside a tension of the dualism between idol and idolater.</span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Breve Descrizione: </b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Un uomo anziano sta giocando con un rosario, facendolo girare sull'indice. Questo gioco ostinato mette in relazione l'essere umano e tutte le regole simboleggiate dall'idolo, che mantengono l'individuo in una condizione standardizzante e rassicurante, ma sempre in conflitto con gli impulsi umani. Questo lavoro è il secondo capitolo di una trilogia proposta come un ripensamento sul desiderio ostinato della società di avere un'icona rassicurante di un idolo, dove la realtà trova la "giusta dimensione", ma nello stesso tempo ha dentro un gioco dualistico in tensione tra idolo e idolatra.</span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;">FILIPPO BERTA,<i> PERFECT FORM</i>, 201<span style="font-family: "arial" , "helvetica" , sans-serif;">7</span></span></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">To watch the video</span></span>: </span></b><b><a href="https://vimeo.com/250710729" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">click here</span></a></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /><b>Short Description:</b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">From a metal tube, fixed to the ceiling, comes out a jet of air that produces a hole in the center of a liquid, square and black surface. Entering into the adjacent room, it discovers that this pressure is produced by people arranged in a circle, because they blow strongly into small rubber tubes. In this performance, the collective effort that keeps the clear circle visible in the black square (that is, two ideologically opposite forms), is equivalent to the attempt to reach the form of a perfect society, in which everyone feels necessary.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Da un tubo metallico, fissato al soffitto, esce un getto d’aria che produce un buco al centro di una superficie liquida, quadrata e nera. Entrando nella sala adiacente, si scopre che tale pressione è prodotta da persone disposte in cerchio, perché soffiano con forza in piccoli tubi di gomma. In questa performance, lo sforzo collettivo che mantiene visibile il cerchio chiaro nel quadrato nero (ossia due forme ideologicamente opposte), equivale al tentativo fallimentare di raggiungere la forma di una società perfetta, in cui ognuno si sente necessario. </span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b style="background-color: white;"><span style="font-size: small;">FILIPPO BERTA, <i>IN</i><span style="font-family: "arial" , "helvetica" , sans-serif;"><i> OUR IMAGE AND</i><span style="font-family: "arial" , "helvetica" , sans-serif;"><i> LIKENESS</i><span style="font-family: "arial" , "helvetica" , sans-serif;">, 201<span style="font-family: "arial" , "helvetica" , sans-serif;">7</span>,</span></span></span><i><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></i><span style="font-family: "arial" , "helvetica" , sans-serif;">Chap.1</span></span></b></span></span></span></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span><span style="font-size: small;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span style="background-color: white;">Performance realized for the <span style="font-family: "arial" , "helvetica" , sans-serif;">6<span style="font-family: "arial" , "helvetica" , sans-serif;">th</span></span> Thessaloniki Biennale (Greece, 2017<span style="font-family: "arial" , "helvetica" , sans-serif;">)</span></span></span></span></i></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">and for the <span style="font-family: "arial" , "helvetica" , sans-serif;">solo exhibition at <span style="font-family: "arial" , "helvetica" , sans-serif;">the Massimodeluca Gallery, (Venice, 2018)</span></span></span></span></span> </span></i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">A group of people fixes a nail to the wall while remaining on tiptoe, so as to reach the maximum height allowed by their bodies. The noise caused by hammer blows saturates the space. Then each person places a crucifix and an irregular line becomes visible, that is defined by the body limits of each person. This border establishes two dimensions of an "above" and of a "below" (perfection and imperfection, spiritual and corporal) as if it were the critical frontier beyond which only the dimension of the idol exists. This work is the first chapter of a trilogy proposed as a reflection about the obstinate desire of the society to have an reassuring icon of a idol, where the reality find the "right dimension", but in the same time it have inside a tension of the dualism between idol and idolater</span></span></span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Breve Descrizione<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">:</span></span></span></b></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Performance realizzata<span style="font-family: "arial" , "helvetica" , sans-serif;"> p<span style="font-family: "arial" , "helvetica" , sans-serif;">er la 6a Biennale di Salonicco (Grecia, 2017)</span></span></span></span></span></span></span></span></i></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">e per la mostra personale presso la Galleria Massimodeluca (Venezia, 2018)</span></span></span></span></span></span></span></span></i></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Un gruppo di persone fissano al muro un chiodo rimanendo in punta di piedi, in modo da raggiungere l’altezza massima concessa dai loro corpi. Il rumore causato dai colpi di martello satura lo spazio. Poi ognuno pone un crocifisso e diventa visibile una linea irregolare, definita dai limiti corporei di ciascuna persona. Questo confine stabilisce due dimensioni di un "sopra" e di un "sotto" (perfezione e imperfezione, spirituale e corporale) come se fosse la frontiera critica oltre la quale esiste solo la dimensione dell'idolo. Questo lavoro è il primo capitolo di una trilogia proposta come un ripensamento sul desiderio ostinato della società di avere un'icona rassicurante di un idolo, dove la realtà trova la "giusta dimensione", ma nello stesso tempo ha dentro un gioco dualistico in tensione tra idolo e idolatra.</span></span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">Filippo Berta, <i>Just One,</i> 2017</b></span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Short Description:</span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">A sheep is put on a white pedestal and then she is completely sheared. The action unmasks one of the subjects which are part of a flock, that is a uniformed collectivity (starting from this concept I titled the work: Just One) becoming a metaphor of human condition. The work is a praise to the imperfection held hidden below a white and pure mantle, but that inexorably imposes uniformity. In this way the work shows a parody of the equestrian sculpture, in which the acclaimed subject is the truth of the imperfection.</span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Breve Descrizione: </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Una pecora viene posta su un piedistallo bianco e tosata completamente. L’azione smaschera uno dei tanti soggetti che compongono un gregge, ovvero una collettività uniformata (da qui il titolo: Just One), diventando metafora della condizione umana. Il lavoro è un elogio all’imperfezione tenuta nascosta sotto un manto, che pur essendo bianco e puro, è inesorabilmente uniformante. In questo modo il lavoro propone una parodia della scultura equestre, dove il soggetto acclamato è la verità dell’imperfezione.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;"> </b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">Filippo Berta, <i>Here! - Presente!,</i> 2016, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: white; color: #222222; font-size: small;">A group of children is willing to semi-circle and each of them is drinking a juice box. When everyone finishes the drink, they put the empty juice-box on the ground and suddenly they hit it with his foot. This act causes a brief, intense noise, similar to an explosion that fills the room and vibrates on the skin of the audience. In this work the child is metaphor of the incorrigible nature hidden in us in opposition to the right and imposed forms by the society, like a dualistic portrait of the human being.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Un gruppo di bambini è disposto a semi-cerchio e ognuno di essi sta bevendo un succo di frutta. Quando tutti hanno finito di bere, mettono il recipiente di cartone a terra e improvvisamente lo colpiscono con il piede. Questo gesto provoca un breve e intenso rumore come fosse un'esplosione che riempie l'ambiente e vibra sulla pelle degli spettatori. In questo lavoro il bambino è metafora della natura incorreggibile nascosta in noi, in opposizione con le forme giuste e imposte dalla società, come fosse un dualistico ritratto dell'essere umano.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">Filippo Berta, <i>Concert of soloists #2,</i> 2015, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white;">To watch the video: </span></b><b><a href="https://vimeo.com/143067295" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">click here</span></a></b></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Video made in the reception room of the Italian Embassy in Berlin<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"> </span></span></i></span></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">A group of men are drinking the broth seated at a table of the Italian Embassy of Berlin. Each of them emphasizes every sip by sucking forcefully from the spoon, so emit a noise intrusive. Every individual manifests his presence during the act of eating by means of this gurgle coming from his mouth, but finds himself inexorably absorbed by a collective chaotic noise. Everyone tries to distinguish from this collective uniformity (the same dish, the same dress, same chair ...), but it is a futile attempt and the result is a parodic competition in which everyone tries to cover the others people and to come out from they.</span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i style="text-align: justify;">Video realizzato nella sala ricevimenti dell’Ambasciata Italiana di Berlino</i></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b></span><span style="font-size: small;"> </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Un gruppo di uomini bevono del brodo stando sedute al tavolo Dell’Ambasciata Italiana a Berlino. Ognuno di essi enfatizza ogni sorso succhiando con forza dal cucchiaio, così da emettere un rumore invadente. Ciascun individuo manifesta la sua presenza durante l’atto di nutrirsi con un gorgoglio proveniente dalla propria bocca, ma si ritrova a essere inesorabilmente assorbito da un caotico rumoreggiare. Il tentativo del singolo di distinguersi da una collettività uniformante (lo stesso piatto, lo stesso vestito, la stessa sedia...) si rivela fallimentare e ne consegue una parodistica competizione in cui tutti cercano di sovrastarsi.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><br /></b></span></span>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Sulla retta via</i> (<i>On the straight and narrow)</i>, 2014, Video HD</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b><b><a href="https://vimeo.com/96301266" target="_blank"><span class="Apple-style-span" style="color: blue;">click here</span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="color: blue;"> </span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <a href="https://vimeo.com/96301266" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQSa1Tx86yET4q-kMjpSwRwAbNNO37EHJwl_CIbIoX4Ad1rAopJUbClxSNKxni2h-Vs3VJcbmiNReY_KoPqpPnio5MHo8hrc1h761EUs1RbgmJ3MZEKN2DYupTwXlyzpBODhQTal_tphs/s1600/15_Spiaggia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQSa1Tx86yET4q-kMjpSwRwAbNNO37EHJwl_CIbIoX4Ad1rAopJUbClxSNKxni2h-Vs3VJcbmiNReY_KoPqpPnio5MHo8hrc1h761EUs1RbgmJ3MZEKN2DYupTwXlyzpBODhQTal_tphs/s1600/15_Spiaggia.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">To watch more photos: <span class="Apple-style-span" style="color: blue;"><b style="color: black;"><a href="http://filippoberta.blogspot.it/p/sulla-retta-via-on-straight-and-narrow.html"><span class="Apple-style-span" style="color: blue;">click here</span></a></b></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;"><span class="Apple-style-span" style="color: blue;"><b style="color: black;"><span class="Apple-style-span" style="color: blue;"> </span></b></span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere altre fotografie:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <a href="https://vimeo.com/96301266" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video Work Finalist of Talent Prize, Inside Art, Guido Talarico Editore, Rome</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Jury: Guido Talarico (Editor and director of Inside Art), Marie Fernandez (Director of art exhibitions in the city of Lille, France), Alberto Fiz (Director of MARCA, Catanzaro, Italy), Micol Forti (Curator of the Contemporary Art Collection of the Vatican Museums), Anna Mattirolo (Director of the MAXXI, Rome), Ludovico Pratesi (Director of the Visual Art Peschiera di Pesaro, Italy), Patrizia Sandretto Re Rebaudengo (President of the Sandretto Re Rebaudengo Foundation)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video Finalista del Talent Prize, Inside Art, Guido Talarico Editore, Roma</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Giuria: Guido Talarico (Editore e direttore Inside Art), Marie Fernandez (Direttore arti visive ed attività espositive del Comune di Lille), Alberto Fiz (Direttore artistico MARCA di Catanzaro), Micol Forti (Curatrice della Collezione d’Arte Contemporanea dei Mu- sei Vaticani), Anna Mattirolo (Direttore del MAXXI Arte), Ludovico Pratesi (Direttore artistico Centro Arti Visive Pescheria di Pesaro), Patrizia Sandretto Re Rebaudengo (Presidente Fondazione Sandretto Re Rebaudengo)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">A line of people is moving along the seashore of a deserted beach, trying to follow the fleeting border, defined by the waves, that separates the sea from the land. This situation produces a uncoordinated collective action that makes visible an unending line that breaks continuously. The difficulty of maintaining a perfect and straight line represents the dualism of man’s impossibility to find a balance between his own intuitive, emotional and impetuous nature and his defined role by society which penetrates individual consciences and conditions mental behaviour, guiding the individual towards standardised models.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i style="font-family: arial, helvetica, sans-serif;">Text by Claudia Löffelholz</i><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><i style="font-family: arial, helvetica, sans-serif;">German independent curator and member of LaRete Art Projects</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Una linea di persone si muove lungo la riva del mare di una spiaggia deserta, cercando di seguire il confine fugace, definito dalle onde, che separa il mare dalla terra. Questa situazione produce un’azione collettiva scoordinata che rende visibile una linea senza fine che si rompe continuamente. La difficoltà di mantenere una linea perfetta e retta rappresenta il dualismo d’impossibilità dell’uomo di trovare un equilibrio tra la sua natura intuitiva, emotiva, impetuosa e il suo ruolo definito dalla società che penetra le coscienze individuali e le condizioni comportamento mentale e guida l’individuo verso modelli standardizzati.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Testo di Claudia Löffelholz, curatrice indipendente e membro de La Rete Art Projects</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">Filippo Berta, <i>Allumettes #2,</i> 2013, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white;">To watch the video: </span></b><b><a href="https://vimeo.com/77330153" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">click here</span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="background-color: white; color: blue;"> </span></b></span><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: white;">Per vedere il video: </span><span class="Apple-style-span" style="background-color: white; color: blue;"><b style="color: black;"><a href="https://vimeo.com/77330153" target="_blank"><span class="Apple-style-span" style="background-color: white; color: blue;">cliccare qui</span></a></b> </span></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">To watch more photos: <span class="Apple-style-span" style="color: blue;"><b style="color: black;"><a href="http://filippoberta.blogspot.it/p/blog-page.html"><span class="Apple-style-span" style="color: blue;">click here</span></a></b></span></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;"><span class="Apple-style-span" style="color: blue;"><b style="color: black;"><span class="Apple-style-span" style="color: blue;"> </span></b></span></b></span><span style="font-size: small;"><b style="background-color: white;">Per vedere altre fotografie: </b><b style="background-color: white;"><span class="Apple-style-span" style="color: blue;"><b style="color: black;"><a href="http://filippoberta.blogspot.it/p/blog-page.html"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Work Winner of the MIA Foundation Award, Bergamo, Italy</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Jury: Giacinto di Pietrantonio (Director of GAMeC - Museum of Modern and Contemporary Art, Bergamo, Itay), Eugenio Viola (S</i><i style="font-family: arial;"><span style="background-color: white; color: #1d2129; line-height: 16.08px;">enior curator at PICA The Perth Institute of Contemporary Arts in Australia</span></i><i>) and Corrado Benigni ((Responsible for Culture and the Arts of the MIA Foundation) - Curated by Stefano Raimondi and Mauro Zanchi</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Opera Vincitrice del Premio Fondazione MIA, Bergamo</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Giuria: Giacinto di Pietrantonio (Direttore della GAMeC - Galleria d’Arte Moderna e Contemporanea di Bergamo), Eugenio Viola (S</i><i style="font-family: arial;"><span style="background-color: white; color: #1d2129; line-height: 16.08px;">enior curator at PICA The Perth Institute of Contemporary Arts in Australia</span></i><i>) e Corrado Benigni (Referente per la Cul- tura e l’Arte della Fondazione MIA) - A cura di Stefano Raimondi e Mauro Zanchi</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #141413; font-family: "arial"; font-size: small;">People massed light up a match after another to make visible the square created by the union of their bodies. </span><span class="Apple-style-span" style="color: #141413; font-family: "arial"; font-size: small;">The noise produced reveals the frenzy of this collective effort. </span><span class="Apple-style-span" style="color: #141413; font-family: "arial"; font-size: small;">This stubborn act turns out to be bankruptcy when the first people, after finishing the matches available, leave the group and initiate a slow process of dissolution of the perfect square. </span><span class="Apple-style-span" style="color: #141413; font-family: "arial"; font-size: small;">The feeble glow produced by matches conceals the fragility of a perfection that can only be temporary and reaches its peak even when the last match is shutting down.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i style="color: #1a1a18; text-align: justify;">Performance realized at MADRE Museum of Naples, at Basilica S. Maria Meggiore of Bergamo and SUC Murate of Florence</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Delle persone ammassate accendono un fiammifero dopo l’altro rendendo visibile il quadrato creato dall’unione dei loro corpi. Questo gesto ostinato si dimostra fallimentare quando le prime persone, avendo finito i fiammiferi, abbandonano il gruppo decretando un lento processo di dissolvimento del quadrato perfetto. Il fievole bagliore prodotto dai fiammiferi cela in sé tutta la fragilità di una perfezione che è solo momentanea e trova il suo culmine quando anche l’ultimo fiammifero si spegne</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realizzata al Museo MADRE Napoli, alla Basilica S. Maria Meggiore di Bergamo e a SUC Le Murate di Firenze</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">Filippo Berta, <i>Territories #2,</i> 2015, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: white;">To watch the video: </span><span class="Apple-style-span" style="background-color: white; color: blue;"><span style="color: blue;"><b style="color: black;"><span class="Apple-style-span" style="background-color: white; color: blue;"><a href="https://vimeo.com/152806412" target="_blank"><span style="color: blue;">click here</span></a></span></b></span></span></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: white; color: blue;"><span style="color: blue;"><b style="color: black;"><span class="Apple-style-span" style="background-color: white; color: blue;"><span style="color: blue;"> </span></span></b></span></span></b><b style="font-family: arial, helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: white;">Per vedere il video: </span><span class="Apple-style-span" style="background-color: white; color: blue;"><a href="https://vimeo.com/152806412" target="_blank"><span style="color: blue;">cliccare qui</span></a> </span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;">Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">In an area covered in gravel a number of people are involved in a war without allies and in the general confusion each person tries to trace with his foot the line of his territory within which to express himself. This clash between individualities has created territories with different shapes and sizes forcibly intertwined together despite their incongruousness. The definition of ourselves in social relations is a struggle between colonizers and colonized, a condition that in this performance is reduced to a collective heroism as if it were a chaotic anthill.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance made at the Spinola Banna Foundation, Turin, IT (2009) and at the Dinosaurs Quarry, Altamura, IT (2015)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">In una distesa ghiaiosa delle persone sono coinvolte in un conflitto senza alleati e nella confusione generale ognuno cerca di tracciare con il piede il confine del proprio territorio entro cui esprimere se stessi. Questo scontro tra individualità ha generato territori con forme e dimensioni diverse forzatamente incastrati tra di loro nonostante fossero incongruenti. La definizione di se stessi nelle relazioni sociali è una lotta tra colonizzatori e colonizzati, una condizione che nella performance è ridotta a un caotico e collettivo eroismo da formicaio.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realizzata alla Fondazione Spinola Banna, Torino (2009) e alla Cava dei Dinosauri, Altamura (2015)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Cheees!,</i> 2013, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video: <span class="Apple-style-span" style="color: blue;"><a href="http://vimeo.com/59997640" target="_blank">click here</a></span></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><span class="Apple-style-span" style="color: blue;"> </span></b></span><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;">Per vedere il video: <a href="http://vimeo.com/59997640" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;"> To watch more photos: <span class="Apple-style-span" style="color: blue;"><a href="http://filippoberta.blogspot.it/p/cheeese-photos.html">click here</a></span></b></span><span style="font-size: small;"><b style="background-color: white;"> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="background-color: white;">Per vedere altre fotografie: <span class="Apple-style-span" style="color: blue;"><a href="http://filippoberta.blogspot.it/p/cheeese-photos.html">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">A group of people, aligned along the walls, cover their faces by a black fabric and then, they perform the same action: to draw a “smile” on the wall above their heads. The attempt to reproduce the exact form of the smile (circle, two dots and a semi-circle) becomes useless and produces a series of forms which emulate the original and show the obstinate intention visible in the wrong traces. In the desire of the individual to homologate to the right form imposed by the community, lies the imperfect human nature, so that the stereotype and the personal are combined. <i>Performance made at the Victoria Art Center, Bucharest, RO</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Un gruppo di persone allineate lungo le pareti si coprono il viso con un tessuto nero, per poi compiere la medesima azione di disegnare sul muro uno “smile” sopra la loro testa. Il fallimentare tentativo di riprodurre la forma precisa dello “smile” (cerchio, due punti e semicerchio) genera una serie di forme che emulano l’originale e mostrano nei tratti errati un’ostinata intenzione. Nel desiderio dell’individuo di omologarsi alla giusta forma imposta dalla collettività si cela l’imperfezione della natura umana, coniugando così lo stereotipo con il personale.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realizzata al Victoria Art Center di Bucarest</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span></span>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Instructions for use</i>, 2012, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video: <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/51215445" target="_blank">click here</a></span></b></span><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;">Per vedere il video: <a href="https://vimeo.com/51215445" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="background-color: white;">To watch more photos: <span class="Apple-style-span" style="color: blue;"><a href="http://filippoberta.blogspot.it/p/instructions-for-use-2012-photos.html">click here</a></span></b></span><span style="font-size: small;"><b style="background-color: white;"> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="background-color: white;">Per vedere altre fotografie: <span class="Apple-style-span" style="color: blue;"><a href="http://filippoberta.blogspot.it/p/instructions-for-use-2012-photos.html">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuMKGHrno5MAhJLFnSCaDCvLVhjvjAg4zG2IrDfHx5tiZKTPfm4dHqBrEIZdd2gC23SmcUYd-mp8rhxKn_4YUCeZKI0vwgBx1MQVFNBfBIv6kN4fHVWDUGjL20LECNAzavsmCc49PwOBo/s1600/Istruzioni_Uso_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuMKGHrno5MAhJLFnSCaDCvLVhjvjAg4zG2IrDfHx5tiZKTPfm4dHqBrEIZdd2gC23SmcUYd-mp8rhxKn_4YUCeZKI0vwgBx1MQVFNBfBIv6kN4fHVWDUGjL20LECNAzavsmCc49PwOBo/s640/Istruzioni_Uso_06.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">A group of italian soldiers trying to keep in balance their rifles on the palm of the hand and this is a difficult situation that will end when all the guns have fallen to the ground. The use of the weapon as a game lasts only the time in which these soldiers can keep their guns upside down compared to the normal military instructions.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance in which were involved with a group of Soldiers on leave, who have been taught the proper use of arms.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small; text-align: justify;">Un gruppo di alpini cercano di tenere in equilibrio i propri fucili sul palmo della mano, generando una condizione difficile che finirà quando tutti i fucili saranno caduti a terra. L’uso dell’arma come un gioco dura solo il tempo in cui i militari riescono a mantenere i fucili capovolti rispetto al consueto assetto da soldato.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i style="text-align: justify;">Performance realizzata con un gruppo di alpini in congedo, ai quali è stato insegnato l’uso corretto delle armi.</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Happens Everyday</i>, 2012, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/46832968" target="_blank">click here</a></span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/46832968" target="_blank">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">A group of people are sitting behind school desks arranged and each person grabs his desk, lifts it and overturns it over his head. From that moment, a challenge of strength in maintaining that position starts. Then, the first begin to succumb to fatigue, to the point that, everyone will have arranged the desks in their original position. The school desk, an object symbol of the dictates given to us from childhood, succumbs to the need to rebel from this micro-society and this act generates a silent condition of break between the rule of law was imposed, and the innate nature.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video made in a classroom of the Primary School E. De Amicis in Sansepolcro (Italy) by involving ex-alumni and local inhabitants.</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small; text-align: justify;">Un gruppo di persone sono sedute dietro a dei banchi di scuola e ciascuno individuo afferra il proprio banco, lo alza e lo ribalta sopra la propria testa. Da quel momento inizia una sfida di resistenza nel mantenere quella posizione.Poi, i primi cominceranno a cedere alla fatica al punto che tutti avranno disposto i banchi nella loro posizione d’origine. Il banco di scuola, oggetto simbolo dei dettami impartitici sin dall’infanzia, soccombe alla necessità di ribellione di questa micro-società, generando una una silenziosa condizione di rottura tra il lo stato di diritto imposto e lo stato di natura innato.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video realizzato all’interno di un’aula della Scuola Elementare E. De Amicis di Sansepolcro, con il coinvolgimento di ex-alunni e abitanti della zona.</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>For Sale</i>, 2012, installation</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOUJoxNc4HXE-N_TP2OBHvnB2xXUxWuehVRknOfdHBpd2plCXGz69WbjcgqfRKgU8qUJUz62cULdwPGuRRw0xd4Yx67M2KY4sNHbSELe-7S9XBz7k1QAvWQxSfrFkxVAy25Yd20Gs-DM/s1600/ForSale80_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="659" data-original-width="652" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOUJoxNc4HXE-N_TP2OBHvnB2xXUxWuehVRknOfdHBpd2plCXGz69WbjcgqfRKgU8qUJUz62cULdwPGuRRw0xd4Yx67M2KY4sNHbSELe-7S9XBz7k1QAvWQxSfrFkxVAy25Yd20Gs-DM/s640/ForSale80_01.jpg" width="632" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">The floor plans of some apartments adjacent to the pedestrian streets of the city of Como, were re-drawn specularly on the ground by means of white marble powder. The private spaces become publicly and the pedestrians can cross and interact with the border lines that delimit those places where the private sphere manifests itself freely.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installation made as final work of the artists’ residence at the Fondazione Ratti, Como, Italy</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Le planimetrie di alcuni appartamenti adiacenti alle vie pedonali della città di Como sono state ridisegnate a terra in modo speculare con la polvere di marmo bianco. Gli spazi privati diventano di dominio pubblico e i pedoni possono attraversare e interagire con i confini di quei luoghi dove la sfera privata si manifesta liberamente.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installazione realizzata come lavoro conclusivo della residenza per artisti presso la Fondazione Ratti, Como</i></span>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Filippo Berta, <i>Allumettes #1</i>, 2012, performance, </span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Madre Museum of Naples</span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> To watch the video</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>: <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/37021339" target="_blank">click here</a></span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>: <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/37021339" target="_blank">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGV2lf3JZ-tejjTLwrGrQsGISCeREZSmJKQNfPYiAn_-Tb3giztkcge9ZyIdfyJBfDDcw722a547sk4Hr5NwlJi8HdauFBSPpzl6OLC1huiAuyljqVBDvGoCEzqTH3C2AFJhT4T8BYwSs/s1600/09_Allumettes.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGV2lf3JZ-tejjTLwrGrQsGISCeREZSmJKQNfPYiAn_-Tb3giztkcge9ZyIdfyJBfDDcw722a547sk4Hr5NwlJi8HdauFBSPpzl6OLC1huiAuyljqVBDvGoCEzqTH3C2AFJhT4T8BYwSs/s640/09_Allumettes.png" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">People massed light up a match after another to make visible the square created by the union of their bodies. This stubborn act turns out to be bankruptcy when the first people, after finishing the matches available, leave the group and initiate a slow process of dissolution of the perfect square. The feeble glow produced by matches conceals the fragility of a perfection that can only be temporary and reaches its peak even when the last match is shutting down.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realized at MADRE Museum of Naples, at Basilica S. Maria Meggiore of Bergamo and SUC Murate of Florence</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Delle persone ammassate accendono un fiammifero dopo l’altro rendendo visibile il quadrato creato dall’unione dei loro corpi. Questo gesto ostinato si dimostra fallimentare quando le prime persone, avendo finito i fiammiferi, abbandonano il gruppo decretando un lento processo di dissolvimento del quadrato perfetto. Il fievole bagliore prodotto dai fiammiferi cela in sé tutta la fragilità di una perfezione che è solo momentanea e trova il suo culmine quando anche l’ultimo fiammifero si spegne</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realizzata al Museo MADRE Napoli, alla Basilica S. Maria Meggiore di Bergamo e a SUC Le Murate di Firenze</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, Islands, 2011, performance, video 1'10''</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> To watch the video</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>: <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/28658897" target="_blank">click here</a></span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>: <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/28658897" target="_blank">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJ73mZFG_E4tyxKilA_pz05yBQufd0Fd075wVTFpU3EN6Khoq7PW2ZeylRgRAPHPS17RFtUB-RoL6Eq3YU3bHLnqYB8llUAQGbtET_1w1A84z8qJNjzbP58SuFv6FoLAvAl4Nw8P6rVo/s1600/06_Isole.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="556" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJ73mZFG_E4tyxKilA_pz05yBQufd0Fd075wVTFpU3EN6Khoq7PW2ZeylRgRAPHPS17RFtUB-RoL6Eq3YU3bHLnqYB8llUAQGbtET_1w1A84z8qJNjzbP58SuFv6FoLAvAl4Nw8P6rVo/s640/06_Isole.png" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">Some people rotate on themselves with their eyes closed and arms outstretched, holding in their hands red fluorescent bars and the wake of light defines the maximum area that each individual can occupy with his body and this space consists in his own island. The result is a confusing general movement, characterized by random clashes that becomes the metaphorical image of a heterogeneous society made up different identities closed in their border.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Delle persone ruotano su se stesse con gli occhi chiusi e a braccia aperte, reggendo tra le mani delle barre rosse fluorescenti e la scia di luce definisce la superficie massima che ciascun individuo può occupare e questo spazio consiste nella sua <i>isola</i>. Ne scaturisce un movimento generale confusionario, caratterizzato da scontri casuali che diventa l’immagine metaforica di una società eterogenea costituita da identità chiuse in un proprio confine.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Vice Versa</i>, 2011, performance</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/34033940" target="_blank">click here</a></span></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/34033940" target="_blank">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu0lz-SqctDx9h2eSv4UZKYWkMGxfzn2yI-1pcBUb5vVW36aeLLVHPKZUmfgWu-fuGOm3zeG1KYhoBE5SrIZk3dF9jXNqoP3WfXT3klzKUTQj-Zw5ra1J_9q31LCYOSDG7JORFhLAaDMk/s1600/07_Viceversa.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu0lz-SqctDx9h2eSv4UZKYWkMGxfzn2yI-1pcBUb5vVW36aeLLVHPKZUmfgWu-fuGOm3zeG1KYhoBE5SrIZk3dF9jXNqoP3WfXT3klzKUTQj-Zw5ra1J_9q31LCYOSDG7JORFhLAaDMk/s640/07_Viceversa.png" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">Each of the person involved is placed between two blackboards, and at first they write with his right hand, on the blackboard on the right, their name and surname chanting all the syllables. Then, they repeat the same action but with the left hand, trying with difficulty to copy the accuracy of the traits of the letters written with his right hand, while the space is saturated with childish collective chant. The abortive attempt to emulate a established perfection and sets, is revealed in the imperfections of the unsafe features of the left hand (not educated), and this conflict inherent in every individual is represented by these two blackboards, which become the portrait of those who made them.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ciascuna delle persone coinvolte è posta tra due lavagne e prima scrivono con la mano destra, sulla corrispondente lavagna, il loro nome e cognome scandendo ad alta voce tutte le sillabe. Poi ripetono la stessa azione ma con la mano sinistra, copiando a fatica la precisione dei tratti delle lettere scritte con la mano destra, mentre lo spazio si satura di un’infantile cantilena collettiva.Il tentativo fallimentare di emulare una perfezione convenzionale imposta si rivela nelle imperfezione dei tratti insicuri della mano sinistra (non istruita), e questo stato conflittuale insito nell’individuo è rappresentato dalle due lavagne accostate che diventano il ritratto di chi le ha realizzate.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Homo Homini Lupus</i>, 2011, Video HD</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>To watch the video: </b></span><span style="font-size: small;"><b style="font-family: Arial, Helvetica, sans-serif;"><span style="color: blue;"><a href="http://filippoberta.blogspot.it/p/blog-page_74.html">click here</a></span></b><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b> </b></span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b>Per vedere il video: </b></span><b style="font-family: Arial, Helvetica, sans-serif;"><span style="color: blue;"><a href="http://filippoberta.blogspot.it/p/blog-page_74.html">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_CxNSXrqDqltqTuOfmHlWkRK-7AVpIfTXBpXJsfUAWGMKfU9SNo7rxXrKjyzy48m6Rcaz_n9W3xrJUhSMDJxWiYi__YH2mRzxE8469n1ImGcQOVA23prloCGfMtp3CFOLDq4YqZE5AIY/s1600/Lupi80_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="271" data-original-width="482" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_CxNSXrqDqltqTuOfmHlWkRK-7AVpIfTXBpXJsfUAWGMKfU9SNo7rxXrKjyzy48m6Rcaz_n9W3xrJUhSMDJxWiYi__YH2mRzxE8469n1ImGcQOVA23prloCGfMtp3CFOLDq4YqZE5AIY/s640/Lupi80_01.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video Work Winner of the Maretti Editor Award, La Habana, Cuba</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Jury: Laura Cherubini (Art critic curator), Eugenio Viola (Curator at large of MADRE - Museum of Contemporary Art of Naples, Italy), Giacomo Zaza (Art critic, curator and director of Torrione Passari Contemporary Art Centre, Italy) Caridad Blanco (Curator, art critic, and researcher at the Center for Development of the Visual Arts in Havana), Israel Castellanos (Curator and art critic), Jorge Fernández Torres (Director of the Havana Biennial and the Wifredo Lam Centre)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Video Vincitore del Premio Maretti Editore, La Habana, Cuba</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Giuria: Laura Cherubini (Curatore e critico d’arte), Eugenio Vio- la (Curator at large of MADRE - Museo d’Arte Contemporanea DonnaRegina di Napoli), Giacomo Zaza (Critico d’arte, curatore e direttore artistico del Torrione Passari di Molfetta) Caridad Blanco (Curatore, critico d’arte e ricercatore presso il Centro di Svilup- po di Arti Visuale di Avana, Cuba) Israel Castellanos (Curator e critico d’arte), Jorge Fernández Torres (Director of the Havana Biennial and the Wifredo Lam Centre)</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description: </b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">In Hobbes’ Leviathan of 1651, the English philosophy lays the ground for his theory of natural justice, deeming this as a continuous state of warfare (bellum omnium contra omnes), where “man is a wolf to man”. Moving on from the philosophical metaphor to the hypertextuality inherent to contemporary art, Filippo Berta picks up the Hobbesian theme: the artist shows the ferinitas of the human condition using directly a pack of wolves. Set in an almost lunar landscape, the wolves violently fight over an object, an Italian flag, not over a prey, and it is this which unsettles us. In the Hobbesian world, the only way out of this continuous state of warfare is through the creation of the state, capable of reducing the plurality of individual wills to a single will. This solution is put into question by Berta through one of its most emblematic of symbols, the flag, always present in this allegorical </span><span style="font-size: small;"><i style="font-family: arial, helvetica, sans-serif;">mise en scène</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> that reclaims the state of nature over that of the rule of law [...]</span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span class="Apple-style-span" style="font-size: x-small;"><i style="font-family: arial;">Testo di Eugenio Viola, <span style="background-color: white; color: #1d2129; line-height: 16.08px;">senior curator at PICA The Perth Institute of Contemporary Arts in Australia</span></i></span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><br /></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Breve Descrizione: </b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Nel Leviatano (1651), Tommaso Hobbes getta le basi del giusnaturalismo, interpretato pessimisticamente come uno stato di guerra continua (bellum omnium contra omnes) dove l’uomo è “lupo per l’uomo”. Passando dalla metafora filosofica all’ipertestualità che appartiene al presente dell’arte, Filippo Berta ribalta l’assunto hobbesiano: per visualizzare la ferinitas del genere umano, l’artista utilizza direttamente un branco di lupi.Immersi in un paesaggio quasi lunare, i lupi si contendono violentemente non una preda ma un oggetto, una bandiera italiana, e questo ci spiazza. Per il filosofo la sola via d’uscita è la creazione dello stato, capace di ridurre le volontà dei singoli a una volontà unica, che Berta mette in questione attraverso uno dei suoi simboli più riconoscibili: la bandiera, con un’allegorica <i>mise en scène </i>che rivendica le ragioni dello stato di natura sullo stato di diritto [...]</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Testo di Eugenio Viola, <span style="background-color: white; color: #1d2129; line-height: 16.08px;">senior curator at PICA The Perth Institute of Contemporary Arts in Australia</span></i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;">Filippo Berta,<i> Alessandro Pelicioli Massimo Barbieri Greta Agresti Anna Coppola</i></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>2010, performance, Digital Video 3'00''</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b> <a href="http://vimeo.com/27541477" target="_blank"><span class="Apple-style-span" style="color: blue;">click here</span></a></b></span><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <a href="http://vimeo.com/27541477" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi56RGIT3LQ4wZHdtadFnJ4dj7Nuk6HeqHNDk-xvAQXCCksahNkvS6X_OWjJ5lmeGO1c0byoLwaRDrUvoTrfRLD6Ep1M9dDfdH8wGVFpIwni5L2_lloh60TdfuiQFKp7FhgQOSN6Jt-o0/s1600/Nomi80_03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="303" data-original-width="419" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi56RGIT3LQ4wZHdtadFnJ4dj7Nuk6HeqHNDk-xvAQXCCksahNkvS6X_OWjJ5lmeGO1c0byoLwaRDrUvoTrfRLD6Ep1M9dDfdH8wGVFpIwni5L2_lloh60TdfuiQFKp7FhgQOSN6Jt-o0/s640/Nomi80_03.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">Two men and two women are exposed naked behind four sheets of glass while they’re trying to hide their faces with difficulty by means of the halo of water vapor left from their breath on the surface of the slab. Their names and surnames are the title of this artwork and they become empty codes because they can’t be associated with the four faces deleted by a draining and violent action. The four bodies have been cleaned of any connotation given by family and by their society and until the halo does evaporate, they are potential white sheets on which to realize the true portrait.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Due uomini e due donne sono esposti nudi dietro a quattro lastre di vetro mentre cercano a fatica di nascondere il loro viso con l’alone di vapore acqueo lasciato dal loro respiro sul- la superficie della lastra. I loro nomi e cognomi sono il titolo dell’opera e diventano dei codici vuoti perché non possono essere associati ai quattro volti cancellati da un’azione snervante e violenta. I quattro corpi sono stati puliti da ogni connotazione data dalla famiglia e dalla società di appartenenza e finché l’alone non evapora, essi sono dei potenziali fogli bianchi su cui poter realizzare il vero ritratto.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, Déjà vu, 2008, performance, video 0'35'' Loop</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b> <a href="https://vimeo.com/27570715" target="_blank"><span class="Apple-style-span" style="color: blue;">click here</span></a></b></span><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <a href="https://vimeo.com/27570715" target="_blank"><span class="Apple-style-span" style="color: blue;">cliccare qui</span></a></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis_CdprMHr1JXKsX9DXD0yYvqRw81mKI2UV5ZfBKWc-Qblwv94b1VUgsb7V8xcCAMxSTVNYMKvxbr_eUVXq4A7GVex2F7rnGLEGgtL_H0RrWXof2nL0jJXgpMQwKd8-nrgi6kk-NZcu8c/s1600/Dejavu80_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="776" data-original-width="1377" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis_CdprMHr1JXKsX9DXD0yYvqRw81mKI2UV5ZfBKWc-Qblwv94b1VUgsb7V8xcCAMxSTVNYMKvxbr_eUVXq4A7GVex2F7rnGLEGgtL_H0RrWXof2nL0jJXgpMQwKd8-nrgi6kk-NZcu8c/s640/Dejavu80_01.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;">Performance rewarded in the Fourth Edition </span><span style="font-family: "arial" , "helvetica" , sans-serif;">of the International Prize for Performance Civic Gallery of Contemporary Art, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Trento, Italy - Second Prize - </span>Jury: Helena Kontova (Co-director of Flash Art), Catherine Wood (Curator of Contemporary art and Performance at Tate Modern of London), Gian Marco Montesano (Artist and artistic director of the Theatre of Innovation of Pescara, Italy), Franco Oss Noser (Director of Cultural Services Centre Santa Chiara, Trento, Italy), Fabio Cavallucci (Director of Civic Gallery of Trento, Italy), Carlo Antonelli (Music critic and director of Rolling Stone Italy) - </i><i>Curated by Fabio Cavallucci</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><span style="text-align: left;">Performance premiata alla Quarta Edizione del Premio Internazionale della Performance Galleria Civica Arte Contemporanea Trento - Secondo Premio - </span>Giuria: Helena Kontova (codirettrice di Flash Art), Catherine Wood (curatrice di arte contemporanea e performance alla Tate Modern Londra), Carlo Antonelli (critico musicale, direttore di Rolling Stone Italia), Gian Marco Montesano (artista, direttore ar- tistico del Teatro Stabile dell’Innovazione di Pescara), Franco Oss Noser (direttore Centro Servizi Culturali Santa Chiara di Trento), Fabio Cavallucci (direttore artistico della Galleria Civica di Arte Contemporanea di Trento). A cura di Fabio Cavallucci</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">Six pairs of identical twins form two mirror deployments engaged in a fierce tug of war. A red line stands out from the centre of the strings defining the boundary between the factions of the dualism, but this line is breaking all the time due to the incessant struggle without alliances (either it is mine or yours) The general desire to dominate the others makes the border weak and unstable.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Breve Descrizione:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Sei coppie di gemelli omozigoti formano due schieramenti speculari e impegnati in un agguerrito tiro alla fune. Un tratto rosso spicca dal centro delle corde definendo il confine che separa le fazioni del dualismo, ma questa linea si spezza in continuazione a causa dell’incessante lotta senza alleanze (o è mio, o è tuo). Il generale desiderio di predominanza sull’altro rende il confine labile e instabile</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span></span>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Ditty</i>, 2008, performance, video 2'09''</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b>To watch the video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/27549841" target="_blank">click here</a></span></b></span><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Per vedere il video:</b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b> <span class="Apple-style-span" style="color: blue;"><a href="https://vimeo.com/27549841" target="_blank">cliccare qui</a></span></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidUoZHTzClYqKuqCR0oUsZBwmkU3g7kzhC4euk0bcoGoXNJFlMRLWp9jfT8dNHyqTCKTkXN-_cG6BCaiGTYCH-9ALHIBw_crppVZnFlOSdX7mKDZvC2CccFOpkkH5ePaQwZIOl8SFP-Q4/s1600/01_Canzonette.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidUoZHTzClYqKuqCR0oUsZBwmkU3g7kzhC4euk0bcoGoXNJFlMRLWp9jfT8dNHyqTCKTkXN-_cG6BCaiGTYCH-9ALHIBw_crppVZnFlOSdX7mKDZvC2CccFOpkkH5ePaQwZIOl8SFP-Q4/s640/01_Canzonette.png" width="640" /></span></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;">A row of immigrants are whistling the popular song of city of Bergamo and on the other side of the road the citizens, attracted to the melody and to the unsual situation, stop and listen to it. The immigrant and the native are faced one another and the distance that separates them in social life becomes concrete in that moment so that it defines a new space in a public place. In this performance the boundary between these two opposites is not a simple line of separation but an anomalous space accessible to passers-by.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance made in the main street of Bergamo (Italy), by involving of immigrants residents in the city.</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Breve descrizione:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Una fila di immigrati fischiettano di continuo la canzone popolare della città di Bergamo e dal lato opposto della strada i cittadini si fermano attratti dalla melodia e dall’insolita situazione. L’immigrato e il nativo si trovano a faccia a faccia e la distanza che nella vita sociale li separa in quel momento diventa con- creta e definisce un nuovo spazio in un luogo pubblico. In questa performance il confine tra i due opposti non è una semplice linea di separazione ma uno spazio anomalo e accessibile ai passanti.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Performance realizzata nella via principale della città di Bergamo coinvolgendo immigrati residenti nella città.</i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><br /></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>No Harmony</i>, 2007, installation</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTterua4VXR35UmfbfHhs7bRK6uS0_Nqh6XzDQJVLu1Qoh5Ys_zKfkwLbYWf8AaKErPgieXOW9vR53zY5I_ZNCMxBYtauis7vvyqL7q517uhD_MwNQDMBtHmrJnZ4Gw5cupUH4Kj9rPKU/s1600/No80.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="597" height="548" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTterua4VXR35UmfbfHhs7bRK6uS0_Nqh6XzDQJVLu1Qoh5Ys_zKfkwLbYWf8AaKErPgieXOW9vR53zY5I_ZNCMxBYtauis7vvyqL7q517uhD_MwNQDMBtHmrJnZ4Gw5cupUH4Kj9rPKU/s640/No80.jpg" width="640" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">The union of two magnets is denied by thin steel wires anchored to the wall. The attraction is strong enough to keep these two magnets suspended in the air. This unattainable state of harmony produces the contradictory image of an <i>Almost One </i>in contrast with the perpetual presence of the digit <i>Two</i>. The boundary between the magnets becomes a hybrid <i>Place</i>, and therefore anomalous, within which everything happens.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installation made with two magnets anchored at two walls by means of two thin steel wires.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Breve Descrizione:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">L’unione tra due magneti è negata dai sottili fili d’acciaio che li tengono ancorati al muro e la forza d’attrazione è tale da mantenere le due calamite sospese nell’aria. Questo stato di armonia negata genera l’immagine contraddittoria di un <i>Quasi Uno </i>in contrasto con la presenza ossessiva della cifra <i>Due</i>. Il confine tra i due magneti diventa un <i>Luogo </i>ibrido e perciò anomalo, entro cui accade tutto.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installazione realizzata con due magneti ancorati a due pareti con due sottili fili d’acciaio.</i><i><br /></i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><br /></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Form</i>, 2007, installation</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lmL0hLggFbVbip2DqD9nQc-4ca94q9uEAc36cq2Ab6tAd67Mgf0QfHNvzPh4aXu90PBiysnlJtYSCW4-ehiWDKypuJ6Jsbdm2IzkOsF-rjg5U5IsoREtzYf3K3oh2bcTVBy1O-3MjWw/s1600/Forma80_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="915" data-original-width="879" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lmL0hLggFbVbip2DqD9nQc-4ca94q9uEAc36cq2Ab6tAd67Mgf0QfHNvzPh4aXu90PBiysnlJtYSCW4-ehiWDKypuJ6Jsbdm2IzkOsF-rjg5U5IsoREtzYf3K3oh2bcTVBy1O-3MjWw/s640/Forma80_01.jpg" width="614" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">A band of red latex is pulled by four subtle steel wires and this tension produces a square shape that is brought to its breaking point. This is an extreme condition in which are defined an <i>Inside </i>and <i>Outside </i>conflicting with each other, which are divided by an unstable boundary perceived as a subtle red line.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installation made with a tape of red latex brought into tension by four thin steel cables anchored to the four corners of the room.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Breve Descrizione:</b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Un nastro di lattice rosso è tirato da quattro cavi d’acciaio e da questa tensione scaturisce una forma quadrata portata al limite di rottura. Questa è una condizione estrema in cui si definiscono un <i>Dentro </i>e un <i>Fuori </i>tra loro contrastanti e divisi da un confine instabile e percepito come una sottile linea rossa.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installazione realizzata con un nastro di lattice rosso portato in tensione da quattro sottili cavi d’acciaio ancorati ai quattro spigoli della sala.</i><i><br /></i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Back to top page <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b style="font-family: arial, helvetica, sans-serif;"><a href="http://filippoberta.blogspot.it/"><span class="Apple-style-span" style="background-color: white; color: #666666;"><span class="Apple-style-span" style="font-size: medium;">↑</span> Torna alla pagina superiore <span class="Apple-style-span" style="font-size: medium;">↑</span></span></a></b><b><br /></b></span><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b><br /></b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Filippo Berta, <i>Incastro (Interlock)</i>, 2007, installation</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiscBC9B7Avyn615s-amt2YwiEulm2L8sga8wMleXRaGDrZ1U0P7lWJb95SkF6HDsEsRMvo9zqNnK3PfKqeRPHO0YgE3TywGgzI7QRmcDTfawkw5n6ePSZB3_el-EclRyu6aNc_RdGy84/s1600/Incastro80_01a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1129" data-original-width="1125" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiscBC9B7Avyn615s-amt2YwiEulm2L8sga8wMleXRaGDrZ1U0P7lWJb95SkF6HDsEsRMvo9zqNnK3PfKqeRPHO0YgE3TywGgzI7QRmcDTfawkw5n6ePSZB3_el-EclRyu6aNc_RdGy84/s640/Incastro80_01a.jpg" width="636" /></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="font-family: "arial" , "helvetica" , sans-serif; font-size: small;"><b>Short Description:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Inside a cylinder of plexiglas an obsessive action is repeating cyclically. A drop of red liquid falls on a subtle layer of black oil, the drop then pierces this layer and mixes with the pure water below. Between the purity of transparent water and the impurity of red liquid there is a black boundary. These three elements compose a closed circuit of contradictory fusion. The installation is ended when the water is completely dirty, just as the conflicts hidden in social and individual identities are resolved in forced combinations.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installation made with distilled water, and oil and red pigment</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Breve Descrizione:</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">In un cilindro di plexiglass si ripete ciclicamente un’azione ossessiva in cui una goccia di liquido rosso cade su un sottile strato di olio nero, lo perfora e si mischia all’acqua pura sottostante sporcandola. Tra la purezza dell’acqua trasparente e l’impurità del liquido rosso si pone un confine neutro nero e i tre elementi formano un circuito chiuso di fusione conflittuale. L’installazione si completa quando l’acqua è completamente sporca, nello stesso modo con cui i conflitti dualistici insiti nelle identità individuali o sociali terminano con incastri forzati.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Installazione realizzata con acqua distillata, olio e colorante</i><i><br /></i></span></span></div>
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